640203y | Shared With: Everyone - Jun 07 2008 | 携帯, Google, mobile
640203y | Shared With: Everyone - Mar 14 2008 | エレクトリック, api, google
640203y | Shared With: Everyone - Mar 14 2008 | Google, temp, design
640203y | Shared With: Everyone - Mar 14 2008 | platform, Google, API
640203y | Shared With: Everyone - Mar 14 2008 | google, temp
640203y | Shared With: Everyone - Feb 26 2008 | ハジケられない人々, webサービス, google
640203y | Shared With: Everyone - Dec 04 2007 | あとで考える, Google, SEO
640203y | Shared With: Everyone - Dec 03 2007 | google, 700MHz帯, あとで読む
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There has been a real resurgence in activity related to the theremin recently. I can't identify any specific cause for this. The instrument is great fun to work with, but its reputation as difficult-to-master is well deserved. We spend a lot of time working with the theremin and it challenges us.
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A lot of people use theremins as sound sources for audio post-production and other studio work - it's evocative, creates great glissando and can be mixed in at low levels to add mood & undertones. It's also a fun way to bring an audience's attention back to the stage in live performances.
PAiA does have an advantage in this (small!) market, as it's one of the most fun kits to build you can imagine - and building a theremin from scratch really enhances its use as a tool of exploration. Also, the PAiA kit has a lot of "extra" uses as a gestural controller that most theremins don't offer. It's an instruments we're always pulling off of the shelf to play with when we're in the lab. - brad - Jun 06 20071 FaverViewed: 6 Times
- brad - Jun 05 20071 FaverViewed: 23 Times
