gravitymax | Shared With: Everyone - Jul 20 2008 | art, museums, storage
gravitymax | Shared With: Everyone - 9 days ago | video, art
click to playmore youtube self-referential awesomeness
gravitymax | Shared With: Everyone - 9 days ago | video, artawesome!!!
gravitymax | Shared With: Everyone - 22 days ago | art, design
Quoted: The entire space was created by lashing together almost 1.3 million cable ties. The result is nothing short of amazing. Visitors are invited to explore the surreal landscape of cocoons, webs and light called “The Third Space” that took a staggering 16,870 hours to complete.
this must be amazing to see in person
gravitymax | Shared With: Everyone - 23 days ago | art, news, lol
Quoted: The work was on display as part of the Paul Klee Centre's outdoor exhibition "East of Eden: A Garden Show," and was designed to deflate in case of adverse weather. However, it failed to do so. Instead, "Complex Shit" was carried by a gust of wind until it hit power lines and descended, breaking the window of a nearby children's home.
gravitymax | Shared With: Everyone - 27 days ago | art, art criticism
gravitymax | Shared With: Everyone - 27 days ago | artists, art, artistquoted: In this rather undifferentiated morass of feints at video, photography, sculpture and above all earnestly political, identity-based Conceptual Art, the paintings spring out like little oases of personal thought, concentration and effort. Some nonpainting efforts come into focus with time, but the first impression is a telling lesson in why painting doesn’t die; it is at the very least a good way for young artists to grasp the kind of density of expression that any art medium requires. (It helps to remember that most of the first generation Conceptualists were educated and began their careers as painters.)...Perhaps an overfamiliarity with Conceptual Art and especially the theories it inspired can leave young artists with no sense of how to make an artwork that holds together as an experience. You can sense the lack of connection to either materials or self in their statements, which appear on the wall labels beside the work.
gravitymax | Shared With: Everyone - Aug 02 2008 | media, art, culture
Quoted: Part of the debate resides in the historical separation that began with Erasmus and the Renaissance, where "hard" was divorced from the "soft" sciences and arts -- a division that is still visible both geographically and intellectually on university campuses, as well as amongst scholarly disciplines themselves. But some see the reciprocal and perhaps limitless possibilities of emergent technologies and humanities scholarship -- how digital technology cuts across disciplines, creates new ways of looking at artifacts, as well as producing new forms itself.
gravitymax | Shared With: Everyone - Aug 02 2008 | art, museum, artist
Quoted: Imageless; the scientific study and experimental treatment of an Ad Reinhardt Black Painting. It should interest anyone who is fascinated by Ad Reinhardt’s late, reductive works with their velvety qualities as well as painters, collectors and others with a serious interest in surface effects of paint.
gravitymax | Shared With: Everyone - Jul 28 2008 | art, artists
gravitymax | Shared With: Everyone - Jul 28 2008 | art, finance
Quoted: Loans can be structured in various ways. Banks, including U.S. Trust, Citigroup, and Emigrant Bank Fine Art Finance, offer both term loans (which come due at a specific date) and lines of credit, to clients including high net-worth individuals, galleries, trusts, and museums. They may loan against a specific work, several works, or a whole collection, generally up to 50% of the market value of the collateral.




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