Quoted: SPACE FOR YOUR FUTURE brings together a group of thirty-four Japanese and international contemporary artists, architects and designers in an exhibition which asks them to respond to the current and future conditions of creative production in the 21st Century; a moment in which shared visions of the future are no longer possible while the eclecticism and quotations of the postmodern world are fading into the past.

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Quoted: Listen to what Arne Quinze has to say about his Cityscape project in Brussels' luxury district and how it will change the outlook on the city's future for its inhabitants.

totally sweet!.

quoted: While the notion of a fantasy world made possible ‘on demand’ by new technologies is the theme of films like Minority Report and ExistenZ, contemporary softspace projects play a more subtle and open-ended influence on contemporary socio-spatial dynamics and our sensing abilities. Architects Usman Haque, Jason Bruges and Daan Roosegaarde and designer Despina Papadopoulos discuss the cultural implications of their work with Tate Modern curator Jane Burton and curator, author and critic Lucy Bullivant, guest editor of 4dsocial: Interactive Design Environments (AD/Wiley, 2007). Lev Manovich, the ground-breaking new media art theorist, is a keynote speaker.

Quoted: Unusually among artists of his generation, Matta-Clark was trained as an architect at Cornell University, where he was taught by some of the most eminent architectural theorists of the era and from where he graduated with a BArch in 1968. Recent scholarship reveals him to have been a far from indifferent student.1 His subsequent career as an artist was brief, cut short by his death from cancer, aged only thirty-five. He is best known for those works in which he dissected existing buildings, slicing into and opening them up, using the simplest of means and converting them into gravity-defying, profoundly disorientating walk-through sculptures.

suh-weet! 2 artists' one last go for glory before their house get torn down.

Quoted: Barry Bergdoll, chief curator of architecture and design at MoMA, believes that for every Modernist structure saved, two are torn down and many are altered. Other experts believe the number of modernist buildings demolished could be considerably higher.