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    5 starsindieworkshop | Shared With: Everyone - Sep 26 2006 | music, interview
    indieworkshop.com | interview: Slumber Party

    Slumber Party, from the far away land of Motor City, has time and again shown their determination to fill the world to the brim with beautifully nostalgic rock n' roll. Their latest release /Musik/ continues the tradition with variations on the theme of energetic, dreamy, mysterious, and simultaneously lulling tunes. I wanted to hear what front-lady Aliccia Berg had to say about it, so here's her two cents.

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    2
    5 starsindieworkshop | Shared With: Everyone - Sep 18 2006 | music, interview
    indieworkshop.com | interview: Snowden

    Quoted: I first heard of Snowden about a year or so ago while listening to some internet radio site. The song was "Kill the Power" - ...

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    2
    5 starsindieworkshop | Shared With: Everyone - Sep 05 2006 | music, interview
    indieworkshop.com | interview: Daughters

    Hells Songs is the picture of a band in the midst of growth. Their debut, Canada Songs, was eleven minutes of fury. Like a lit oil line, the songs shot out of your speakers and tore the ears off of anyone in the room. But on their new album, the band dials it back enough for you to get your bearings and actually enjoy a song before it's over.

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  • mohit
    15 hours ago

    Great album -- especially Lost and 42. I wouldn't consider myself a Coldplay fan, but this album is different. Also, it's not a bad deal for $9.99 for the CD and $8.99 for DRM-less MP3s.

    Quoted: Viva La Vida definitely makes some departures from the band’s usual formula, which happens to be one of the most commercially successful rock-pop blueprints of recent years. The plangent chords, emotive melodies, stadium-rock rhythms and universal lyrical concerns remain, but Martin and co. have gone out on several limbs here, incorporating instrumental tracks ("Life In Technicolour"), using subtle North African and Latin elements ("Yes", "Strawberry Swing"), and overhauling previously strict verse-chorus-verse structures in favour of slightly more avant arrangements.

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