misaacs | Shared With: Everyone - May 09 2008 | photography, photojournalism, photo gallery
misaacs | Shared With: Everyone - Apr 23 2008 | photography, photo gallery, art, Seattle, pcnw, photoshop
misaacs | Shared With: Everyone - Apr 18 2008 | photography, photo gallery, photojournalism, documentary, advertising, celebrity, snapshot, flash, B&W
misaacs | Shared With: Everyone - Apr 15 2008 | photography, landscape, photo gallery, environment, developmentQuoted: Edward Burtynsky Photographic Works. Fine Art photographer based in Toronto Canada. This site is the online portfolio for Edward Burtynsky
misaacs | Shared With: Everyone - Apr 04 2008 | photography, photojournalism, photo gallery
misaacs | Shared With: Everyone - Apr 02 2008 | photography, photojournalism, photo gallery, Japan, Bangladesh, color, shadow
misaacs | Shared With: Everyone - Apr 02 2008 | photography, photojournalism, photo gallery, India, Africa
misaacs | Shared With: Everyone - Feb 16 2008 | photography, photo gallery
misaacs | Shared With: Everyone - Dec 31 2007 | photography, photo gallery, abstract
misaacs | Shared With: Everyone - Dec 27 2007 | photography, street photography, candid, America, photo gallery, photojournalism
Quoted: camera back is never vertical, as prescribed by classic procedure; if the figure fills the frame the lens will be pointed at the subject's navel, and the camera back will be inclined some forty-five degrees downward from vertical. In this posture any lens will violate our belief that we should see the walls of buildings as parallel to each other, but the wide-angle lens, because of its broader cone of vision, will exaggerate the effect, and destroy all sense of architectural order. To retrieve a kind of stability Winogrand experimented with tilting the frame, making a vertical near the left edge of his subject square with the frame, and then a vertical near the right edge, or a dominant vertical anywhere between. In the process he discovered that he could compose his pictures with a freedom that he had not utilized before, and that the tilted frame could not only maintain a kind of discipline over the flamboyant tendencies of the wide-angle lens but could also intensify his intuited sense of his picture's meanings...
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