Quoted: "Larry Fink's photographs are like the stage in a darkened theater. His hand-held flash splendidly illuminates the details of the drama before us and reveals the nuance of the personal moment,"

At first glance this looks like a pretty good photoblog. It has a distinct tilt to covering the work of photojournalists/travel photogs.

Quoted: camera back is never vertical, as prescribed by classic procedure; if the figure fills the frame the lens will be pointed at the subject's navel, and the camera back will be inclined some forty-five degrees downward from vertical. In this posture any lens will violate our belief that we should see the walls of buildings as parallel to each other, but the wide-angle lens, because of its broader cone of vision, will exaggerate the effect, and destroy all sense of architectural order. To retrieve a kind of stability Winogrand experimented with tilting the frame, making a vertical near the left edge of his subject square with the frame, and then a vertical near the right edge, or a dominant vertical anywhere between. In the process he discovered that he could compose his pictures with a freedom that he had not utilized before, and that the tilted frame could not only maintain a kind of discipline over the flamboyant tendencies of the wide-angle lens but could also intensify his intuited sense of his picture's meanings...

The apotheosis and fall of a soldier.

Quoted: Luc Delahaye's work spans the world of journalism and art. As a war photographer, he has documented many conflicts around the world. At the same time, he started work on documentary portraiture and then engaged himself in a broader approach to documentary photography. In his latest projects, he took a long trip across Russia, examining the country's economic depression, and a four-month stay in the suburb of Toulouse, France. He now works on documentary photography in the fields of news and history.