news777 | Shared With: Everyone - Apr 17 2008 | インテリア, 後で観る, Apple
news777 | Shared With: Everyone - Apr 17 2008 | コンピュータ, apple, temp
news777 | Shared With: Everyone - Apr 05 2008 | iTunes Store, Apple, temp
news777 | Shared With: Everyone - Apr 05 2008 | business, apple, 音楽配信
news777 | Shared With: Everyone - Mar 22 2008 | itニュース, *IT, Apple
news777 | Shared With: Everyone - Mar 22 2008 | Apple, itニュース, *IT
news777 | Shared With: Everyone - Mar 04 2008 | iphone, k-tai, apple
news777 | Shared With: Everyone - Mar 04 2008 | 分解, mac, apple
news777 | Shared With: Everyone - Feb 24 2008 | なるほど, apple, design
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There has been a real resurgence in activity related to the theremin recently. I can't identify any specific cause for this. The instrument is great fun to work with, but its reputation as difficult-to-master is well deserved. We spend a lot of time working with the theremin and it challenges us.
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A lot of people use theremins as sound sources for audio post-production and other studio work - it's evocative, creates great glissando and can be mixed in at low levels to add mood & undertones. It's also a fun way to bring an audience's attention back to the stage in live performances.
PAiA does have an advantage in this (small!) market, as it's one of the most fun kits to build you can imagine - and building a theremin from scratch really enhances its use as a tool of exploration. Also, the PAiA kit has a lot of "extra" uses as a gestural controller that most theremins don't offer. It's an instruments we're always pulling off of the shelf to play with when we're in the lab. - brad - Jun 06 20071 FaverViewed: 6 Times
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