shadowpuppetmaster | Shared With: Everyone - Feb 04 2008 | the, music, international
(see prev dot)
hmm, seems some labels aren't playing along....
as an aside, and while this is not surprising, it seems to be a sad but true fact that the discipline of Marketing is emerging more and more rapidly as the dominant capital-generating force in modern capitalism. i note this simply as I am impressed at the significance of the turn this q-trax represents...it signals the possibility that the multi-billion dollar recording industry could completely bend over and take it in the ass, and simultaneously walk away with almost exactly the same profit margins, simply by (and here's the shift i'm pointing to) BECOMING (or rather begin integrated into / reterritorialised onto) the advertising industry, which would assume all the capital-generating machines once assigned to the purchasing of music.
impressive.
Quoted: Three major record labels deny signing deals allowing their music to feature on a free file-sharing website.
shadowpuppetmaster | Shared With: Everyone - 8 days ago | the, chicago, music
OMG OMGOMG OMGOMGOMGOMGOMG
THE WEDDING PRESENT IS COMING TO CHICAGO@!@@@@!@
hooray!
Quoted: 8/17 Handsome Furs / Witchies 8/28 Prairie Cartel / Hey Champ 9/21 A Place to Bury Strangers / Sian Alice Group 10/1 The Wedding Present ...
ALSO: Boris is playing a Pitchfork After-Party set at the Empty Bottle. I really want to go to that too.
shadowpuppetmaster | Shared With: Everyone - May 04 2008 | the, music, photos
Nealist:
i forgot to tell you last time we spoke....this is the new bar you can expect to spend many a chill night at...here's a short list of its perks:
1. no tvs
2. chill ambiance, with great jazz music
3. amazing beer bottle selection, featuring a bunch of rogue and quebec beers, belgians, craft brews, etc.
4. back patio with tables and chairs, to drink AND smoke simultaneously
5. it's right down the street from our house (like a 2 min bike ride, i'm not kidding)
6. the most important thing about it: THEY HAVE SHUFFLEBOARD.....inside....the....bar.....AMAZING!!!so, just FYI: I'll be challenging yer ass to some shuffleboard matches when you hop back across the big puddle.
[over&out.]
Quoted: Weegee's Bar....West Logan Square
ShareViewed: 10 Times
shadowpuppetmaster | Shared With: Everyone - Mar 23 2008 | the, music, worldShareViewed: 22 Times
shadowpuppetmaster | Shared With: Everyone - Mar 22 2008 | the, music, web
anyone read this?
Quoted: "Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest Is Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic.
Take Ross's description of Schoenberg's Second Quartet, "in which he hesitates at a crossroads, contemplating various paths forming in front of him. The first movement, written the previous year, still uses a fairly conventional late-Romantic language. The second movement, by contrast, is a hallucinatory Scherzo, unlike any other music at the time. It contains fragments of the folk song 'Ach, du lieber Augustin'--the same tune that held Freudian significance for Mahler. For Schoenberg, the song seems to represent a bygone world disintegrating; the crucial line is 'Alles ist hin' (all is lost). The movement ends in a fearsome sequence of four-note figures, which are made up of fourths separated by a tritone. In them may be discerned traces of the bifurcated scale that begins Salome. But there is no longer a sense of tonalities colliding. Instead, the very concept of a chord is dissolving into a matrix of intervals."
Armed with such a detailed aural roadmap, even a troglodyte--or a heavy metal fan--can explore these pivotal works anew. But it's not all crashing cymbals, honking tubas, and somber Germans stroking their chins. Ross also presents the human dramas (affairs, wars, etc.) behind these sweeping compositions while managing, against the odds, to discuss C-major triads, pentatonic scales, and B-flat dominant sevenths without making our eyes glaze over. And he draws a direct link between the Beatles and Sibelius. It's no surprise that the New York Times named The Rest Is Noise one of the 10 Best Books of 2007. Music nerds have found their most articulate valedictorian. --Kim Hughes"

shadowpuppetmaster | Shared With: Everyone - Feb 29 2008 | the, music
hey anyone know anything about this periodical JKS used to edit, or why people want it so bad?
now i'm curious and want to see it...."Little known is John's greatest achievement to date - that of his time spent as co-editor (with Todd Scarth) of PLAP = Crap, an obscure but culturally revolutionary periodic publication in circulation in the early 90's. Copies currently sell on eBay for upwards of $1200 US, and are sought by underground publishing afficianados worldwide."
shadowpuppetmaster | Shared With: Everyone - Feb 23 2008 | the, music
remember that movie "I Come In Peace", where Dolph Lungdren has to fight off those alien dudes who live off cocaine, and shoot those little razor discs off that device on their arm? this reminded me of that device kinda.
ShareViewed: 15 Times
shadowpuppetmaster | Shared With: Everyone - Feb 08 2008 | the, music, internet
here comes the fun.
the war over copyright and distribution continuesssssssQuoted: The Pirate Bay has just launched jesperbay.org as a countermeasure to the Danish ISP block that was announced yesterday. The site is named after Jesper Bay, the head of the Danish IFPI and gives detailed instructions for affected customers on how to regain access to The Pirate Bay
shadowpuppetmaster | Shared With: Everyone - Jan 05 2008 | the, music, worldShareViewed: 4 Times



- textured - Feb 05 2008
- shadowpuppetmaster - Feb 05 2008
- textured - Feb 05 2008
- textured - Feb 05 2008
You must be Latarian Huck-a-hatchet Jackson's friend before you can comment on this Fave.hmm im not sure i follow. what does this description from the qtrax website mean: "the support of advertisers allows qtrax to compensate artists for their work." qtrax is stil paying the record companies in hard cash, it seems. the enterprise ultimately falls on this company 'qtrax', and their ability to get paid by advertisers, pass this money along to the record companies, and still turn a profit at the end of the day. id be curious to see what kind of contract they have set up. but if i am right in interpreting this quote, i dont think your assessment is really whats happening. not that capitalism and 'the spectacle' (debord) or the surplus of 'attention' (my old deleuzian prof jon beller) are not clearly at stake, but i just dont see this as an earth shattering moment in the contemporary late capitalist crisis, per se.
ha. what a characteristically deflationary 'Dan response'.
as i said, it's not surprising. However, there's no question, it will be a big shift if we see the music industry completely reterritorialised on the ad industry. and yes, apropos my dot, the contracts aren't coming up like they were supposed to, and the music will be encoded with hidden author info and there will be a bunch of invasive 'data collecting' tracking efforts both in the songs and the software. all this is totally predictable. but even if this specific company doesn't pull this off, it signals a trend that someone else inevitably (i predict, anyway) WILL accomplish. this is just the beginning.
ps. "surplus of attention" is a good expression too. me and nealist were just talking about that last night.
goddamnit now look what you made me do-- typical 'dan responding to the typical response to the typical dan respoonse, how typical'
check out beller.. oops i mispelled his name before.
but duude.. your analysis still doesnt make sense. my counterprediction is that drm goes down within a year and we see a general push away from this type of crap. the advertising thrust has been coming on strong for decades now. i dotted some stuff about a major ad company a while back, i thought it was pretty interesting. but also the early years of adbusters has some good stuff. and klein's 'no logo'.. but i dont see this 'tail wagging the dog' kind of reversal you are talking about. its like 'the matrix'-style fantasy.. just isnt economically viable. beller's point is much more to do with the political re-valorization of 'watching' away from the supposedly total passivity of the spectator. it is actually a *critique* of debord in a lot of ways. and echoes my point contra what you're saying: advertising simply can't do what you are claiming for it, because it never was that to begin with. how could advertising generate capital? it is a straight expenditure: corporations burn billions a year on ads that may or may not be effective at 'manipulating' us to buy the *actual product that creates revenue*. whatever metaphysics and/or technics surrounding its effects are secondary to the full-out expenditure that is advertising. its one of the oldest ideas: "spend money to make money". but in that distinction (which is a typical capitalist understanding of political economy), what remains unquestioned is the status of capital itself. i will save you the marxist rant, but what is 'generative' (if anything-- using such phrases in relation to capital and value is a little problematic) is the viewer/listener/being-there/performance-of-a-body. when i sit through the advertisement, or submit to the viewing experience of a film full of product placements, etc etc, it becomes the site of value, and if the capitalist machine works as it aims, of surplus extraction. but the actual ads themselves are not the central thing.
[truncated]
just like it doesnt matter *which* product is being marketed, so long as the gross effect of marketing as such constitutes the BwO of the capitalist territory, or the singular modality of signification that we call 'exchange'. individual ad companies actually compete *against* this (to the extent that 'branding' is the attempt to hierarchize the generalized field of exchange and establish 'brand loyalty' to an otherwise generic product), but because their attempts succumb to the *symbolic* criteria of the field, the attempt to ascend beyond the staus quo ultimately perpetuates exchangability, in perpetual cycles of ascendancy and decline (competition between brands). on account of this, we could even say that (the scientistic formula) the field does not necessarily 'precede' its disruption, or (the hegelian formula) negation is primary. in any case, wagging of dogs and tails aside.. we can see the 'ad phenomenon' in terms of the transcendental supremacy of -- not just the signifier -- but the generalized field of exchange: what badiou basically identifies as the functional/technical side of maths-- 'the count'. advertising has more than just this condition, since it occurs, obviosuly, in time and space and various media. so, it is on this -- and only this -- basic level, that we can talk about anything resembling 'univocity'. but if there is such a thing (as a univocal plane), it could never be simply 'advertising'. it could only be 'capital' as such. as the BwO of capitalism.
anyway. check out beller. he's the dopeness. his forthcoming book on the bush presidency and the war and sovereignty could be really good, too.
Send Latarian Huck-a-hatchet Jackson a friend request or a personal message instead.